zoon wrote:Jayjay4547 wrote:..
my whole aim is to reveal the role of ideology In origin narratives, especially of human beings.
In discussing this Smithsonian Mag article on the human skin https://www.smithsonianmag.com/science- ... 1xo4mme.99 I criticized some of those involved: science writer Jason Daley for building his story on basic science research that had nothing to do with the speculations about the human skin he went on to detail. Mark Pagel for proposing that our hairless skin is to combat lice, and Mark Changizi who proposed that primate colour vision is to help in signalling emotional and health status. Also reader Ben Hotchkiss proposed it was to avoid getting singed by fire….
I take it your “ideology”, as you stated in the OP to this thread, is that humans were designed by God:Jayjay4547 wrote:This claim is that the human origin story has been presented as one of self-creation, in reactive opposition to the Genesis story in which human beings were made by something greater than themselves- and which is a basic truth about human origins and the human status.
I wouldn’t argue with a position that this “something greater than themselves” is the genius expressed in large fluxing systems of biomes, such as “Africa”. Being a Christian myself, I think of these biomes or maybe the moving boundaries between them, as the fingers of God. But it’s fundamental that an atheist should be able to accept what I am arguing for, without changing his philosophical position. Otherwise, I could be sure, from first principles, to be arguing wrongly, because my argument would amount to a purported proof of the existence of God, which would be false and in terms of religion, impious. I will try to explain that a bit below.
zoon wrote:I’m happy to agree with you, in the context of this discussion, that my atheism, and that of most people here, includes an alternative narrative, or “ideology” if you want to use that term for both narratives. My alternative claim is that the hypothesis of evolution by natural selection is a better fit with the evidence than the hypothesis that God made us.
I agree with Dawkins (writing in “The Blind Watchmaker) that before the theory of evolution by natural selection was put forward, there was in fact strong evidence for some sort of goal-directed creation of living things, because there is such a strong appearance of teleology in their design: we grow eyes which are useful for seeing, ears which are useful for hearing, etc. The strength of the theory of evolution is that it explains how this apparent teleology comes about, without in fact requiring pre-thought-out goals.
It seems to me that William Paley (The Watchmaker on the Heath analogy, 1802) was impious in his attempt to conclude from observation that we are designed by a Creator God, by the following argument. According to the Jewish conception, it is impious to even name the “Unseen” Creator. The ancient Jews saw this as an advance on the religions of other nations; theirs was more serious. Similarly, Islam considers it impious to draw a picture of the Creator or His Prophet. I understand that these religious rules are insisting on two things: (a) that to name or draw something is in a sense to own it and (b) the human condition is that we are embedded in a hierarchy where we don’t own what is higher than us.
In the 20th century secular context, that embedded conception of the human condition was also expressed by my countryman Jan Smuts in his “Holism and Evolution” and by Arthur Koestler in “The Ghost in the Machine”. Koestler said that beings in a hierarchy are Janus faced: appearing autonomous to those below but dependent from above.
As a young man Darwin was impressed by Paley’s argument; in a sense they spoke the same language and so do today’s IDists and Dawkins, in using the words “design” “purpose” and “complexity” in an agreed way that they take as relevant to the issue of whether “God exists”. I argue that we need to reframe the discussion in terms of whether we are embedded in a hierarchy, replace the word “complexity” and “design” with “function” and not concern ourselves with “purpose”.
What one could actually observe from finding a watch on the heath, is not the freighted concept “design” but that this object has a particular function –to keep time- and that this function is enabled by a particular mechanism. To find out more about the found watch, one would need to seek out not “a designer” but the human culture from which watch-making emerged. Then one would look back in time; at the history of watch making within that society. Similarly in the natural world, one observes deep piles of function and through palaeontology scientists have traced its historical accumulation in particular geographical areas. If they find a particular species appeared at a particular time, they might look for a “land bridge” whereby that species could have trekked, from somewhere bigger, for example “Africa”. The appearance of new functionality can be called “creation” and creativity is a property in the first instance, of large biomes.
Natural selection merely provides adaptive mobility to populations; that’s less interesting than the discovery via palaeontology, of the creative path followed by particular populations.
zoon wrote: You appear, somewhat bizarrely, to be putting forward an argument for God which is the reverse of the argument from design. OK, some scientists have put forward hypotheses to explain the hairless skin of humans, and all the 3 hypotheses which you cite have the surface appearance of being teleological in nature: the hairless skin may have been useful for discouraging lice, or for signalling emotions, or for not getting singed by fire. Of course, the scientists are using this teleological language as a shorthand for saying that natural selection over thousands of years resulted in the trait of hairless skin, but the weird thing about your argument is that, as far as I can tell, it’s the teleology you are objecting to. Since you are arguing that God created us, why are you so keen to argue that hairless skin is useless? If hairless skin doesn’t help us to avoid lice, or miscommunication, or getting burnt, then God just did it for the fun of it?
Are you claiming, as a positive argument in favour of creationism, that God designed our bodies without any predesigned usefulness? The uselessness of the appendix, for example, is in your view an argument for God as designer, since in your view evolution would have made a better job of it?
I am really sorry to have given you that impression, by being unclear. I have not been putting forward an argument for God, indeed as I tried to argue above I think that would be impious. And about the “Naked Ape” I wanted to make one observation way below the level of teleology: that people telling an human origin story for the human skin in terms of evolution, systematically selected within-species explanations, which is unreasonable seeing that the skin is our interface with the whole of the environment and considering that the really distinctive feature of the human skin is shared with our other distinctive features of apparent vulnerability to the environment: human beings lack all the features that make us cautious when we meet other large African animals: no hooves no horns no fangs no claws. And our skin gives us strikingly less protection. How the hang could these guys have missed all that? Surely, we lack those important aspects of other animals’ interface with Africa, in the first place, because we don’t need them? Vital constraints on skin type applicable to other large mammals fell away for our ancestors. Presumably, because our ancestors used hand weapons in their relations with other species. And hand-weapons provide stand-off protection. That was recognised nearly a century ago by Raymond Dart when he described the first small-brained bipedal “Southern Ape of Africa”. It’s really noteworthy that between-species relations are overlooked in explanations for the human skin. I suggest that is because Darwin established a style for telling the human origin narrative in terms of within-species relations and that style has been maintained, because it draws attention away from the creative hierarchy in which we are embedded.