Cheers Katja
Every time I give a presentation on the topic of smallwords in English I can guarantee that there will be someone who puts their hand up at the end and tries to argue that these kinds of words are trivial epiphenomena of spoken language, or else directly asserts that they are sloppy disfluency markers.
In many cases it is some old school linguist who can run rings around me in their knowledge of formal grammar, but who isn't a particularly good spoken communicator when put on the spot.(Sounding like they are reading from a script that they have memorized perfectly, but understood poorly)
I can agree with you re. second language proficiency. I have led people into believing I am much more proficient than I actually am by deploying these kinds of words in my other languages. A little goes a long way.
" I usually go downtown for a drink on Fridays" does the job of answering the question "What do you usually do at the weekend?" but,
"Well, actually, I usually go out, I mean, I go drinking on Fridays, downtown, you know?" does a much better communicative job. Even when the formal aspects of the language are a bit loose, you can glide over by using markers correctly.
"Well, actually, I am usually go to the drinking, I mean, after my working on Friday, drink the beer and something like that, you know what I mean?
I haven't read the book you mentioned. It looks interesting. I'll have a look for it in my uni library.
When I teach spoken narrative I follow Labovian narrative norms.
1. Abstract. Introduce an upcoming narrative event and outline the topic.
(Did I tell you about what happened to me on the train last Saturday?)
2. Orientation. Describe, time, place characters etc.
(Well, last Saturday I was out drinking with the guys form work and stayed out to the last train)
3. Complicating event. The main events which make the story happen and be worthwhile listening to.
(Well, I got a seat and sat down, but I was kind of drunk, and fell asleep and missed my bloody station.
So, anyways was woken up by the guard at the last stop. I was like " Oh shit, where the hell am I?")
4. Resolution How did events sort themselves out?
(So I went out of the station, luckily there was a taxi stand, so I got in and he took me home, but I had to pay 10,000yen and didn't get home until 2 am.)
5. Coda. Provides a bridge from the story world to the real world, often with a moral or lesson and evaluation.
( I was so pissed off with myself. From now, I think I'm gonna I set my alarm on my phone, just in case. Mind you, I'm not gonna stop drinking or anything, you know?"
I'm transcribing some spoken narratives at the moment. I'm making the transcriptions to Conversation Analysis standards, so it takes about 3 hours to do 10 minutes worth. I might open a thread with some findings when I get it done.