Glad you liked it. I've seem so many posers among conductors and composers. But E-P is the real thing.
Or straight, serious, or concert music if you prefer
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orpheus wrote:Shrunk wrote:orpheus wrote:Foreign Bodies, composed and conducted by Esa-Pekka Salonen. E-P is an old friend, and I think the world of him. But he's also irritatingly talented.
Part of a vanishing breed that once was common in the musical world: The composer/conductor equally accomplished in both fields. Boulez is the only other one I can think of still around.
E-P and I both studied with the same teacher - Jorma Panula - who insisted that his students try to do everything: compose, conduct, play, arrange... of course Esa-Pekka is unusually talented. But I think Panula was right: it makes one a more well-rounded musician. And the activities cross-fertilize one another. By conducting you learn what is and is not practical to write for the orchestra. And by composing you learn "from the inside" why other composers made the choices they did.
THWOTH wrote:More strings to your bow, more power to your elbow eh Kaz.
Anyway, some of my favourite bars of music are found in the third movement of Bruckner's ninth - here performed by the WDR Symphony at Cologne Cathedral, conducted (a bit stolidly) by Gilbert Levine. Rattle has a new version out with the Berlin Phil - seriously tempted.
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