Posted: Sep 08, 2017 10:26 pm
by archibald
Shrunk wrote:

I've usually figured that Lynch and Frost construct their scenes according to a kind of dream logic, where atmosphere and visual/emotional content take precedence over linear story telling. But examples like this makes me wonder if they actually have a meticulously worked out narrative of intersecting time lines and alternate realities.


Somehow, I doubt it.

I think In recall him saying once that even he doesn't know what his films are about. In that sense, I've come to think he's half meticulous half letting it all hang out. I'm not sure whether to take him seriously, and look for 'his' meanings, or just let it wash over me and enjoy my own interpretations.