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angelo wrote:Good B/W pics. The black kitteh looks eveel in B/W.
5.0 out of 5 stars Surprise Nov. 23 2011
By Russ Lewis - Published on Amazon.com
Verified Purchase
I have to confess I was surprised to find that this "Leica branded" lens really behaves as a Leica lens, producing the same tack-sharpness I used to get from the Summicron on my M4, but also producing that mysterious Leica quality that gets imparted to the image, and which even my finest Nikon lenses don't deliver. I was even more surprised to find this happening on a micro four-thirds body. This lens is a jewel. It's a bit nose-heavy on a micro four-thirds body, but not enough to be a problem. It turns a micro four-thirds body into an almost perfect street camera.
5.0 out of 5 stars Sharpest lens I am aware of!! June 21 2012
By J. Reilly - Published on Amazon.com
I've owned this lens for 9 months. The images taken with this lens and my G3 are so good it makes want to forget about other gear all together. I also have a D800 and six very good lenses. As of now, I really don't want to use the Nikon unless I'm going to produce a print larger than 20x30. There simply is no point in doing so. This lens is that good. In fact this lens is sharper than all my Nikon lenses. The limit here is not the lens, it is the sensor size. MF sensor size is only 28% of the physical size of a FF sensor like the D800. The G3 has a little over 16 megapixels and the D800 has a little over 36 megapixels. That works out to a pixel density of about 42K pixels per SQ mm on the D800 vs about 71K pixels per SQ mm on the G3. Lower pixel density is better, advantage Nikon, Sensor size, advantage Nikon. Image quality: advantage Leica!!!
Introduction
The legendary NIKKOR 180mm f/2.8 ED is a superb manual focus lens. This manual focus lens has much rightly deserved folklore behind it as being very, very sharp. You can read more here about its development.
When it was introduced in the early 1980s it superseded the non-ED AI version. By reducing the secondary chromatic aberration it became much sharper then the other 180, and offered what at the time was previously unseen performance in a very fast tele.
It is not an internal focusing (IF) lens. It focuses conventionally by moving the entire lens assembly in and out as you turn the focus ring.
See Nikon 180mm f/2.8 History for perspective of where this fits into Nikon's product line.
Specifications
It has five elements in five groups, one big one of ED glass.
It has a nine-bladed diaphragm stopping down to f/32 (the AF version only goes to f/22).
It has a built-in telescoping hood and takes 72mm filters.
It is 3.1" (78mm) around and 5.4" (138mm) long. It weighs 28 oz (800g).
Close focus is 6 feet (1.8m).
Performance
It's sharp at f/2.8 and every other aperture. As all Nikkors, it has some light falloff wide open that mostly is gone at f/4 and is completely gone at f/5.6, on FX and film cameras.
It has no distortion.
Recommendations
Again, there is very little to say about a great lens. It, along with the 105/2.5, has been replaced in most pro's bags by an 80-200 f/2.8 zoom for the sake of convenience. In the old days (1980s) you'd find one in every news photographer's bag.
They are still not that cheap to buy second hand and they are heavy. You can still get them new for $750.
chairman bill wrote:It's a superb lens by all accounts
Panasonic H-NS043 Lumix G Leica DG NOCTICRON 42.5mm/F1.2 Lens (Electronics)
I have been shooting with this lens to review it for the last 2 weeks (my full review is online and can be googled) and I will state right off the bat, that YES it is expensive.
I am not going to say "expensive for a Micro 4/3 lens" as I am one who feels Micro 4/3 can compete with ANY format, even full frame. I use and own a Leica M 240 with a couple of Leica's best lenses yet my #1 goto camera is the Olympus E-M1. I have also owned for a long term the Leica $11,000 Noctilux f/0.95 and no, there is nothing like that lens on the planet for 35mm but you can get a taste of the real deal for a fraction of that cost in this Panasonic Nocticron. Yes, seriously. But remember, I said a "taste"
This Panasonic/Leica Nocticron is large, heavy and expensive but not nearly as large, heavy or expensive as the real deal, the Leica Noctilux. In fact, this lens is over $9000 less than the Leica Noctilux! Think about that.
Panasonic Lumix FZ70 / FZ72 review
The Panasonic Lumix FZ72, or FZ70 as it's known in North America, is a super-zoom camera with a 16.1 Megapixel compact sensor and a whopping 60x stabilised optical zoom. That's the longest zoom range currently available on a compact camera, so in a single bound Panasonic has leapt over the competition including Canon's best-selling PowerShot SX50 HS and Sony's Cyber-shot HX300, both of which sport lenses with a 'mere' 50x optical zoom.
^^Still quite bulky. Try putting that in your pocket.
Made of Stars wrote:I'm contemplating an M (Leica) mount 50mm for my Fuji XPro body. This would be equivalent to 85mm on the XPro, and give me some quality glass if I ever make the jump to Leica M. Would love the Summicron f2, but it's over A$1500 second hand, and at $850 new the Zeiss Planar f2 will probably get the nod.
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