Uberuce wrote:Here's a possible foible. I disagreed with Animavore's opinion in a thread about Hanna that it breaks suspension of disbelief to have a 50kg teenage girl beating the bejesus out of 100kg trained male fighters. For some reason that doesn't bother me although I agree that it's utter nonsense.
However, it really bothers me when Magneto makes metal fly. The escape in X-Men 2 when he flies on the saucer of blood-metal and the entire Golden Gate bit in 3, for example. I'd really prefer it if his superhero physics exception* was just that he can use himself as a stupendously powerful fulcrum for his metal-moving forces. I've no objection to the way he could pick up the submarine in that trailer, but it
feels wrong to me since there's no way the jet could take the weight.
In my head, Magneto-force should be grabbing the sub and the jet and pulling their veritcal position closer together.
*See commentary/features in Watchmen for the physics professor's segment.
I really liked it. I thought it was the best of all the X-Men movies. The series is rife with continuity errors and this one added to them but I enjoyed it the most of any of the X movies.
I had a few issues when the rules of how things work in the setting weren't consistent. At some points such as the sub, there is clearly a direct link between him and whatever he is using his powers on. He tries to hold the sub and is pulled after it. At other times, he does things and it doesn't work that way. I suppose in a movie like this, it comes down to learning to use the powers more skillfully and realizing that with these powers, things don't work the way he always thought they did. I also wondered how he could get that coin through Shaw's head at the end. I suppose Shaw's power must be consciously activated.
There were other things like Darwin (or as a friend put it, his real name was "Plot Device"), the one black character, being the first killed. At the end, all the female characters jump ship to Magneto leaving only the white males as the good guys and one of the females goes only because he told her she was hot looking in her true form, a decision truly based in personal ethics and strength of character.
But still, I liked that it gets the X-Men into the era that really spawned them in the comics, that they didn't have Wolverine there hogging the whole damn movie and loved the performances of most of the actors.
We're holograms projected by a scientist riding on the back of an elephant in a garden imagined by a goose in a snow globe on the mantel of a fireplace imagined in a book in the dreams of a child sleeping in his mother's lap.