minininja wrote:Part of the problem I think is the power of communications technology like youtube. It's not like making a joke down your local pub. It's like making a joke in everyone's local pub, and town hall, and living rooms. It's difficult to know how to handle it the potential reach it has.
I read some thoughtful comments on this by Robin Ince here.You are removing the context of a wind up directed at your girlfriend at the moment of making it public.
You are removing your friends’ knowledge that you are a decent liberal guy. You are now someone sat opposite a dog saying “gas the Jews” for a laugh. To this new audience, you may no longer be the man you know you are.
You are in an arena filled with anti-semitic abuse and heavy with holocaust denial.
I don't agree. He's mistaking the context for the medium. Saying that you can't joke about the Nazis on the Holocaust on Youtube is like saying that uploading the infamous Fawlty Towers episode to Youtube would be problematic (for reasons other than copyright) because some people on Youtube are holocaust deniers. But it wouldn't, because the context is built up throughout the episode and even the series to the point that when Basil does something incredibly offensive and racist, you are laughing at the ridiculousness of him as a character. Now obviously this comedian doesn't build the context up as skillfully as John Cleese, but it is clearly established at the start of the video. And call me old-fashioned, but I don't think that people should be convicted of a hate crime because of their lack of skill as a writer.
But as Jonathan Pie mentioned above, the prosecution even said that context and intent were irrelevant. It's basically saying that someone can be convicted if another person (possibly hearing it out of context) is too stupid to follow the logic of what they are doing and then gets offended by it, or if, and this is exactly what the prosecution did, deliberately misunderstands it.